You don’t know me.
And I don’t know you. I mean, not really.
You may know the things that I choose to reveal about myself. It’s usually the best parts of meΒ (though I’ve been known to be quite transparent with the not-so-best parts of me as well) that I share. But if someone were to ask you to tell them about me, you really wouldn’t be able to rattle off much more than what I’ve listed in my profile. Sure, you could browse my blog or stalk my Facebook account, and maybe make a few guesses about what my taste in music or movies must say about me. But they would only be guesses. And more often than not, you’d be wrong.
For the longest time I’ve been rather careful about getting to know people and allowing them to get to know me. See, I have a history that includes a pretty severe wounding of the heart. So I’m not very keen on putting myself out there in a way that might reopen that wound. Unfortunately, my passions run deep and I tend to be, what one friend calls “emotionally progressive”. Rare in men, so I’m told. Among other things, this means that my heart can become vulnerable to the inconsiderate actions of others if I make an effort to get to know them. I’ve done that with very few people over the years. It amazes me how the pursuit of friendship can be liberating on one end, and weaponized on the other.
Interpersonal relationships should come with a standard label that states, “WARNING: Result may vary.”
Some of these people have become like siblings. Some of them are like my kids. And some of them are… well, something altogether different. But all of them have had an impact on me to varying degrees. My affections are at times painfully genuine. Sometimes to my own detriment. So I’ve learned to protect my heart a little bit more fiercely than I did before. It’s not that I don’t want people to know me, but sometimes I’m not entirely convinced I can afford to allow them.
I’m not a fan of heartache, confusion or misunderstandings. To avoid such calamity, it would make more sense to just keep everyone at arm’s length. It’s sad to me because many people I’ve met are deeply intriguing and I’d love to discover more about them. But this has brought me to the dispirited conclusion that the further away from them I stay, the less likely I am to get hurt if/when they implode.
I don’t know what bevy of circumstances has made them the way they are. They could’ve grown up in abject poverty, or could be the spoiled product of wealthy hands-off parents, raised by a bilingual nanny. They could be a recent parolee from a botched extortion attempt, or an as-yet-to-be-captured professional con artist. They could literally live across the street, or across the ocean. My point is that I won’t know them all that well, and they won’t know me. Unfortunately, past experiences have a tendency to make people gun shy. So I may never know them the way that I wish I could.
Hmm… I don’t even know what the point was of this post. Venting? Purging? Meh. That’s all I’ve got for today.
Death Comes To Award Shows
Music is the biggest passion in my life. So it should come as no surprise to anyone that knows me that I scrutinized the American Music Awards in a way most people probably would not. Most probably wouldn’t care in the first place. But I can’t help it… I care. π
Okay, enough of the babbling. What am I talking about? I’m talking about the fact that there is a very real possibility that music awards as we’ve known them will become obsolete. They’re dying a slow death. What makes me say this? Partly because there’s been a trend in the music industry where the lines between genres are routinely blurred to the point of being nearly unrecognizable.
For instance, long ago there was a clear distinction between country music and pop music. So much so, that the country music industry felt the need to establish its own awards ceremony, the CMAs, in 1967 (there are currently 4 major awards shows specifically for country music). But let’s be honest, the crossover of modern country music into mainstream is pretty much a done deal. Aside from the occasional slide guitar or a lively fiddle, a lot of what is considered to be “country music” sounds a great deal like “pop music” (hello Carrie Underwood and Taylor Swift).
Of course, the same can be said about R&B/Soul music. If Justin Timberlake can win the AMA for BOTH Favorite Pop/Rock Male Artist and Favorite Soul/R&B Male Artist, it really makes you wonder how those genres are actually defined. If one person is simultaneously a Pop/Soul/R&B/Rock artist, then what really is the point of having a category at all?
As it is, the whole thing seems rather farcical to me when you’ve created genres and award categories, like “Gospel” and “Contemporary Christian”, that are based solely on subject matter. If that were to hold true across the board, we would have to add categories like “Favorite Misogynistic Single of the Year” or “Best Sexual Exploitation by a Band, Duo or Group”.
Personally, I think the days of Awards ceremonies are numbered. I give it another 10 years before it gets to the inevitable point of being discontinued. Besides, when it’s all said and done, good music is good music, regardless of any box society may want to place it in. π
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